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The
Hollywood System
Hiring
talent and casting
What
is low budget
Purchasing hot scripts
Budgeting and scheduling
Guilds
and unions
16mm
vs. 35mm vs. digital
Film
Producing A to Z
The
key elements
Contracts and agreements
Hiring
crew
The
1-, 2- and 3 week shoot
Cameras, lights & sound
Screenwriting A to Z
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Hiring
a production crew
Budgeting tricks
Directing the actors
Directing A to Z
Getting 25-35 shots per day
ADR,
Foley & M&E
Finishing your film
Renting the equipment
Scheduling
Directing the crew
Directing post-production
Music,
score & lab
The
answer print
Filmmaking A to Z
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The
festival circuit
Marketing do’s and don’ts
Attracting a distributor
Deal
memo points
Foreign sales
PPV &
VOD windows
Hiring
a publicist
Creating a buzz
Sundance & Cannes
Which
agent to hire
Net
vs. gross deals
Video
& cable deals
Maximizing revenues
Studio
Deal making A to Z
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Raising production money
Forming a production company
Securing independent investors
SBA
$750,000 guarantee
Negative pick-up deals
Packaging agents
Securing bank loans
Guaranteeing profits
What
to offer
Play-or-pay deals
International co-productions
The
50-50 net deal
Completion bonds
Independent Financing A to Z
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